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April 3 to 6, 2008

Events By Title - Detail View

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C
The Curse of Quon Gwon
Directed By: Marion Wong
(USA, 1916, 36 mins)
Asian American Film Series
precedes Hollywood Chinese
Thursday, April 3rd 7:45pm
UW Cinematheque
$7.00

The Curse Of Quon Gwon is the earliest example of Chinese American independent film known to exist today. Director Marion Wong used family members and friends in the production, including her More...
H
Hollywood Chinese
Directed By: Arthur Dong
(USA, 2007, 89 mins)
Asian American Film Series
preceded by:
The Curse of Quon Gwon
Thursday, April 3rd 7:45pm
UW Cinematheque
$7.00

Even in the context of a film festival like this, it must be said that the Hollywood style of moviemaking has dominated the business. As Hollywood sent its films around the world, its attitudes and representations More...
N
Nā Kamalei: The Men of Hula
Directed By: Lisette Marie Flanary
(USA, 2006, 57 mins)
Asian American Film Series
Friday, April 4th 5:00pm
Chazen Museum of Art 2
$7.00

Saturday, April 5th 11:15am
Chazen Museum of Art 2
$7.00

Beyond stereotypes of grass-skirt girls, the film tells a story of Hawaiian pride as the islands’ only all-male hula school celebrate their 30th anniversary in continuing the revival of men dancing hula. More...
New Year Baby
Directed By: Socheata Poeuv
(USA, 2007, 75 mins)
Asian American Film Series
Saturday, April 5th 2:30pm
Chazen Museum of Art 2
$7.00

Sunday, April 6th 12:45pm
Chazen Museum of Art 2
$7.00

Born in a Cambodia refugee camp and raised with her family in Texas, Socheata Poeuv learns the real story of her parent’s survival and of her own heritage: her sisters are really cousins, adopted More...
T
Tie A Yellow Ribbon
Directed By: Joy Dietrich
(USA, 2007, 87 mins)
Asian American Film Series
Thursday, April 3rd 9:30pm
Bartell Theater
$7.00

Jenny Mason, a Korean adoptee, walks the streets of New York in a state of resigned indifference. Her days are spent with white friends and colleagues, her nights with white men. She has no contact with More...
For ticketing information please phone (608) 265-2933 or email boxoffice@wifilmfest.org

 

total number of tickets general, per ticket student, per ticket
1 to 4 $7.00 $4.00
5 to 8 $6.00 $3.75
9 to 12 $5.50 $3.50
13 to 16 $5.25 $3.25
Young Visions program on Sunday free, no ticket required
Service fee for phone, fax, online, and mail orders $4 per order
There is an 8-ticket limit per film, per order.


download the schedule grid as a PDF file
(updated 5 pm, Tuesday, April 1)


download the complete printed film guide (it’s big!)

WHAT’S A VOUCHER?
A voucher is like a coupon that can be exchanged for a film ticket. No refunds are given for vouchers, but you may give them to family and friends!

Vouchers can be exchanged for “real” tickets, printed for a specific date and time of a film program. You can make an exchange at the Festival Box Office through Wednesday, April 2, or the box offices of the Festival theaters during the Festival (April 3 to 6). Vouchers themselves are not good for entry into a theater, nor do they guarantee you a seat – you must first exchange them for a real ticket.

If you want to add vouchers to your order, go to the film guide under “V” and find the listing among the film titles.

DAY-OF-SHOW TICKET SALES
Yes! You can get tickets to films on the day of the show! (Usually.) During the Festival, tickets are only sold at the individual theaters, not at the Festival Box Office in the Memorial Union (which is open for Will Call pick-ups only). Tickets are available at the theater where the film will be shown, only on the day of the show. For example, if you want a ticket to a Saturday night film at the Bartell Theatre, you can buy that ticket at the Bartell only, on Saturday only (not at the Orpheum, and not on Friday). The individual theater box offices open an hour before the first film of the day at that theater.

Cash or vouchers are accepted for at-the-door ticket sales (sorry, no checks or credit cards). Quantity depends on availability.

RUSH TICKETS
Want to see a sold-out show? You can! (Usually.) A film is sold out when all of the tickets allotted for advance purchase have sold. We set aside a few tickets for filmmakers and these might not all get used. Many people buy tickets and may be unable to come to the show. This means an open seat that can be filled right before the start of the film. (This is why ticket-holders must arrive at least 15 minutes before a show to have a guaranteed seat.)

Each theater has a rush-ticket line that is separate from the ticket-holders line. If you would like to see a film and no tickets are available at that theater’s box office, join the rush-ticket line (ask a volunteer where to stand). It’s wise to come about a half-hour before the start of the show, but it depends on how popular that film is. When all the ticket holders have been seated, we’ll count up how many empty seats there are in the theater, and start selling last-minute seats to those people waiting in the rush-ticket line.

Cash or vouchers may be used to buy rush tickets. Having a voucher is not a guarantee of a seat or preference in line; it’s just used in lieu of cash. The number of rush tickets available depends on the number of empty seats for that show. Limit two tickets per patron. First come, first seated.

All tickets sold at the individual theater box offices, including rush tickets, are $7 general and $4 student. Students should bring their school ID.

THE FINE PRINT

  • To guarantee admittance, ticket holders must arrive 15 minutes prior to show. Available seats will be filled at curtain time. Latecomers with tickets are not guaranteed admittance.
  • All tickets sales are final. No refunds or replacements for lost tickets. No refunds for vouchers.
  • Specific film tickets can be exchanged in person only through April 2 at the Festival Box Office at the Wisconsin Union. Absolutely no film ticket exchanges after April 2.
  • Many festival films are not rated. Viewer and parental discretion advised.
  • Schedule subject to change.
 
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